A case study on the benefits of art for hospitals

Art for Hospitals – the healing process

07 Jun

A case study on the benefits of art for hospitals

The relationship between art and therapy has existed since the beginnings of humanity. In ancient times the figure of the healer and artist would often overlap. The shaman in many primitive cultures would play the role of a healer and incorporate art such as dance, visual art, music, etc. in his healing processes. It was believed – actually throughout the whole human history – that soul and body were connected and the attempt to heal the body was not done without an attempt to heal the soul. There is an ancient Roman and Greek proverb: Mens sana in corpore sano (in Greek: Νοῦς ὑγιὴς ἐν σώματι ὑγιεῖ“Healthy spirit in healthy body”). Even in Christianity the first icon-painter, St Luke the Evangelist, was also a doctor. 

Our physical health goes hand in hand with our mental and emotional health. We need to be healthy, but we also need to feel healthy. Art is connected to the human spirit; we are creative beings, whether it is to create or to experience a created work. Art gives us strength, inspiration and a feeling of being alive. All this applies to all kinds of art and creativity in general, but even more so to visual art. Out of the five senses, the sense of vision is the most developed one in humans. Have we not heard the expression: “The eyes are the windows of our minds”?

So while it may seem that the idea of art for hospitals is something new, it is in fact an old concept which has been somewhat abandoned in recent times and only just making a come-back.

“There are ample reminders of art placed in hospitals in previous centuries. William Hogarth‘s 18th-century painting “Pool of Bethesda” still hangs on the grand staircase of Bart’s Hospital. But paintings were often banished from the wards by the post-war trend of brutal minimalism that swept through hospitals and other public buildings. It is only in recent years that hospitals have witnessed a modern renaissance.”­ 
Dr Lee Elliot Major, The Independent, 2008

                                                                                                                            Hogarth’s Painting “The Pool of Bethesda” in the stairwell of Bart’s Hospital, London

 

The Burns Centre, The Queen Elizabeth Hospital, Birmingham – bringing a sense of light and nature into the clinical space

 

 

 Above: before and after artwork installation

 Above: before and after artwork installation

                                                                                                                                               Winter Woodland, 2012                                              

 

 

 

 

artwork-for-hospitals-plaque.jpg

A plaque was made for each piece to identify locations and to encourage people to go and find places for themselves.

 

Cool colours for Burns Centre

 

Colour was an important factor to consider when making work for the Burns Centre. Since many patients are coming in having suffered burns from heat or fire, a cool, soothing colour palette was desired. Thankfully it was winter and I was able to take advantage of the frosty mornings and even some snow on the hills around Birmingham.

 

Psychologists report on impact of artwork in hospital

 

From the early stages of this project a psychologist was involved to assess the improvements made. A survey was carried out before the art was installed and then three months later. Before, staff reported that patients would complain about the blank walls, lack of things to look at and absence of daylight. After the installation of artwork, there was a noticeable difference in the comments from patients and staff, a general consensus of a better feeling.

As a result of the project, comments such as “the rooms were boring and offered little distraction”, coming from patients and staff, were reduced by more than three quarters.

 

Some of the comments recorded in a survey before and after the installation of artwork:

 

Time 1 – prior to artwork installation

 “Blank walls need brightening up”

“Boring, nothing to look at”

 “monotonous”

 “Lack of distraction”

 

 Time 2 – after artwork installation

“It’s a talking point”

“The pictures give a bit or respite from being stuck in a room”

“The pictures have a calming influence on the corridors and reception”

“Patients are walking up to pictures in corridors”

 


In terms of improvements to the clinical environment, the report suggests that as a result of the artwork, patients and staff were beginning to feel more positive about their surroundings. Besides the visual, ‘decorative’ function of my work, I do hope that the presence of my work will also offer spiritual healing to some people, to offer contemplation, to inspire imagination and ultimately to give hope.

When I sometimes receive feedback from patients who contact me, explaining how my work helped them during their stay in hospital, it all seems worthwhile. If art can supplement the healing process, then surely it has a place in our hospitals as it does in our lives.

 

Art and Architecture

Nature, Art and Public Spaces

The role of nature and visual art in the design of our public spaces

In a world where technology is penetrating more and more into our lives, where our hygiene and neatness expectations are growing higher and higher, where spaces are becoming increasingly sterile and even the most intimate spaces of our lives are computerised and synthesised, there is a greater need and search for the organic, for going back to nature, as the primary source of life.

"We have a natural connection with living things, nature is something within which we flourish, so having it be more a part of our lives is critical, especially when we live and work in built environments."

Prof Richard Ryan, lead author and a professor of psychology at the University of Rochester, USA

In our public spaces and buildings, we are trying to re-introduce a sense of space and light but there is still a need for that which has been lost - our connection to the natural world. In our new architectural spaces, it is not appropriate or effective to bring physical elements of the natural environment itself. There are some rather playful and impressive ways in which designers have attempted to either bring real trees and undergrowth into the office or to build offices within the natural environment, but generally these options are not practical, beautiful though they may be.

art-architecture-and-nature-google-offices-tel-aviv
art-architecture-and-nature-google-offices-tel-aviv
nature-office-design
nature-office-design

Above left: Google HQ Offices in Tel Aviv.

Above right: Architects Jose Selgas and Lucia Cano, have created this inspiring office building in the middle of the woods near Madrid, Spain.

Art and Architecture: incorporating artwork into interior design

Still there is a way. This is where the visual artist can step in. The visual artist, being the “open eye” of the society, translating what they see into “language” of images to reach others, offers them ‘portals’ or gateways through which people can connect to the familiar natural world. The artist is the catalyst between nature, art and architecture.

In our contemporary spaces, a relationship exists between art and architecture. We are increasingly presented with sharp images (i.e. billboards, advertising on public transport and most urbanized public spaces, and others), with their dominant messages which we are obliged to accept, leaving little space for the thought paths of the individual. Conversely, I feel that the viewer needs the freedom to ‘wander’ through each image and interpret it in their own way, to find what is familiar to them and to have their own dialogue with nature.

The way I see it, a piece of work on the wall of a public space (here I do not mean those spaces which are especially designed to promote art, but rather working places, hospital interiors, etc.) is not to be imposed upon those who pass by but rather suggested, to allow them to take their time and contemplate and find their own place, or even give the choice to the viewer just to pass by. I find that nature, in everyday circumstances (apart from the cases of a natural disaster), has in itself the quality to remain in the background, to not impose. This quality of nature is something I have always tried to work with, to incorporate in my work and to convey to the others.

artwork-for-hospitals-the-lickeys
artwork-for-hospitals-the-lickeys
artwork-for-interiors-experian
artwork-for-interiors-experian

Above left: Bilberry Hill, The Lickeys, 2012, Dominic Pote. Installed in the Queen Elizabeth Hospital, Birmingham.

Above right: Commissioned pieces for Experian offices in Nottingham, UK. Embankment I and II by Dominic Pote.

Bringing the outside in

My photographs are captured in motion, as I move through a landscape, recording on the film, using a continual exposure, that, which passes by in front of the ‘eye’ of my camera. Therefore they convey more the feeling of what it is to be in a landscape rather than how it looks. The images have a soft, gentle movement, alluding to painting as much as to photography.

The photographs are presented in a contemporary format - large scale, flat, clean and without a frame or glass, but at the same time restoring a feeling of life, like a window back to nature. I want to both enhance the modern built environment but also to give back something of that which has undeniably been lost.

Art in Architecture and Healthcare Buildings

According to research by Steven and Rachel Kaplan, of the University of Michigan, and Terry Hartig, of Uppsala University, Sweden:

“The restorative effects of a natural environment (whether time in a wilderness setting or a walk in a local nature preserve) leads to renewed attention and positive affect. For example, after 45 minutes of taxing mental work, a walk in a natural area led to better recovery than a walk in an urban area or reading magazines and listening to music. Merely lookingatpictures of naturescenes (compared to urban scenes) leads to increased sense of well-being.”[1]

art-for-hospitals-westonbirt-arboretum
art-for-hospitals-westonbirt-arboretum
artwork-for-healthcare-buildings-st-giles-hospice
artwork-for-healthcare-buildings-st-giles-hospice

Above left: Westonbirt Arboretum, Dominic Pote, 2010. Installed in Gloucester Royal Hospital.

Above right: Park Lime Pits, Dominic Pote, 2010. Installed in St Giles Hospice, Walsall.

Research has been repeatedly carried out by universities, psychologists and healthcare institutions around the world and there is now a widespread acceptance that visual environment in healthcare buildings has a great impact on patient recovery. Natural light, colour and shapes from nature are gradually being recognised as important factors in our physical and emotional well-being and are re-introduced into health buildings and working spaces.

Nature doesn't just have an effect on the mind. Roger S. Ulrich, PhD, director of the Center for Health Systems and Design at Texas A&M University, has found that nature can help the body heal, too. In his most well-known study, Ulrich investigated the effect that views from windows had on patients recovering from abdominal surgery. He discovered that patients whose hospital rooms overlooked trees had an easier time recovering than those whose rooms overlooked brick walls. Patients able to see nature got out of the hospital faster, had fewer complications and required less pain medication than those forced to stare at a wall.[2]

I believe that artwork for public spaces, offices and healthcare buildings needs to offer something universal, which would become a harmonic part of the interior design and also offer people calm and contemplation. Contemplative space helps both creative thinking in the workplace and the healing process in healthcare buildings.I want to offer something, which as nature does, simply fits gently in the background, but at the same time is so essential.

[1] Even when represented with brief photographic simulations, local natural and urban comparison conditions can have differential effects, says Hartig. In one study, he showed people photographs of a forested area and downtown Stockholm and found that the forest slides boosted people's mood. From:http://www.johnvdavis.com/ep/benefits.htm

[2] Quoted from http://www.apa.org/monitor/apr01/greengood.aspx

'Green is Good for You" An article by Rebecca A. Clay

 

Tenbury Hospital Commission

Over a period of 5 months from 2011 - 2012 I have been visiting the Worcestershire/Shropshire landscapes around the town of Tenbury Wells. My brief was to make 2 large works for the new male and female wards in Tenbury Hospital.

Clee Hill Sunrise
Clee Hill Sunrise
Clee Hill Sunrise
Clee Hill Sunrise

Working with staff and patient representatives, locations and viewpoints were discussed and a shortlist was made of the best local landmarks and viewpoints. Returning to the area over many months I became familiar with the area and finally settled on two viewpoints to work with for the final two pieces. It was then just a case of returning time and time again until the light was right and then for the magic to happen on the film (which is not easy given the experimental nature of my work). Although each image was made in a matter of seconds, I think there are at least 10 days of driving, walking and waiting behind each one!

Each image was made up to 280 cm by 80 cm and mounted onto aluminium. Installation took place in May 2012...

Abberley Sunset
Abberley Sunset
Abberley Sunset 2012
Abberley Sunset 2012

Art creates ‘sense of sanctuary’ in new Women’s Centre

"Gloucestershire Royal Hospital’s new £29m Women’s Centre opened its doors in January, providing maternity services to the whole of Gloucestershire. Willis Newson commissioned photographer Dominic Pote to create permanent artworks for the new building. The focus of his work was nature: “My role was to bring a sense of sanctuary to the public spaces… I wanted to bring peaceful, calming and intriguing images of nature to these spaces where people will often be waiting and in need of some peaceful distraction”, he said. Pote talked with members of staff to understand their journeys to work and their favourite places on the journey. He then echoed these discussions through nine photographic pieces installed in the new building, images of the varied local landscape which will also resonate with the women and their families who use the Centre."

Bingley Health Centre- commission complete

Bingley Health Centre- commission complete

Three new pieces commissioned by Bingley Health Centre in Yorkshire were installed last week. The brand new centre opened its doors to patients on Monday the 1st of February.

See below for some photos of the work installed and here is a web-link broadcast for opening of the centre:

http://vimeo.com/11138047

Land of Light - Dominic Pote - Exhibition

Exhibition: January 29th - March 8th at Brewery Arts Centre, Cumbria, UK

"For over ten years Dominic Pote has been working with a unique photographic process, making large-scale panoramic images. Working somewhere between the film maker and the still photographer, his exposures last for as long as he keeps moving. Framed by the physical act of walking his images are both literal and metaphorical journeys, movements through space so that there remains something of the organic feel of their making. This exhibition presents a selection of his landscape works from over the years."

Friday 29 January - Monday 8 March 2010

BreweryArts Centre
122a Highgate, Kendal, Cumbria LA9 4HE

http://www.breweryarts.co.uk/

Runnymede Hotel Commission Completed

The Runnymede Hotel, just outside Windsor near London commissioned 6 pieces of work to complete the refurbishment of their hotel and spa resort. The body of work created for the hotel is based upon the river Thames around Windsor and the Runnymede conservation area. The large pieces, mounted on aluminium, were made over 2 month period, taking into consideration the colour schemes and dimensions of the new interior design of the hotel. This work was commissioned by Art Contact (www.artcontact.co.uk).

See some of the photos taken during the installation below.

Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation
Runnymede Hotel Fine art prints installation

The Journey to Work by Dominic Pote

The theme 'Journey to Work' was chosen as a starting point for this commission because it was something common to all staff. Dominic worked with staff from the Speech and Language Therapy, Laser Clinic and Medical Photography departments capturing on film favourite views they encountered on their way to work.

'The photographs represent not only different journeys into Salisbury, but also the main variations of the Wiltshire landscape; woodland, agricultural land, the plains and river scenes.' (Dominic Pote)

Dominic's panoramic images are generated using a custom-adapted film camera. He moves the camera gently through the landscape in a single extended shot. 'Since movement is intrinsic to my work, the theme of journey seemed very appropriate. I wanted to capture the feeling of passing through the landscape whilst also retaining some details, mimicking the way in which we experience travelling. The bridge, for example, in Little Durnford is captured as if glimpsed through the trees, a frozen moment stolen from the flow of time.'

The six photographs can be found on Level 3 of the new build within the three departments Dominic worked with. The images in the Speech and Language Therapy department are accompanied by short poems written by patients during workshops with poet-in-residence Rose Flint.

See more at: http://www.artcare.salisbury.nhs.uk/DominicPote.htm

Goscote Monumental Art Project

Goscote Monumental Art Project

I have been appointed as the 2D artist for the Goscote Monumental Art Project, a year long project to make artwork for the Goscote Palliative Care Centre in Walsall.I will be working with the Walsall Creative Development Team and patients and local school groups in making a collection of large scale works for the interior of the new centre. I will be working along side the appointed 3D artist Tim Ward, Stained Glass artist Sasha Ward and the photographer Ming de Nasty. The project begins in November 2009 and the final works are due to be installed in October 2010.

There is a blog set up for the project which can be seen at:

http://buglassg.wordpress.com

Dominic Pote, Land of Light @ The Yard Gallery at Wollaton Hall

Dominic Pote, Land of Light @ The Yard Gallery at Wollaton Hall

Set in the charming surroundings of Wollaton Park, the Yard Gallery provides an ideal location for an exhibition that acknowledges both the beauty of nature and its cohesion with a man-made landscape. Dominic Pote’s photographs are like a collection of memories captured onto canvas.

The former Nottingham Trent photography student achieves this effect by moving whilst capturing the image and exposing the film, creating a hazy, dream-like quality that is anything but a typical static photographic image. It is as your eye would take in the scene; a swift movement of colours and shapes, blended together as if created with water colours rather than film.

Pote mainly chooses landscapes characterised by boundaries, whether land and water or urban and rural, which were then allowed to bleed into one another, blurring the distinction. The locations vary from mountain ranges in Turkey to canals in Venice, but all manage to capture the sense of movement and flux. His photographs of a wood in Wiltshire were particularly effective, and are dizzily reminiscent of running through trees watching them streak past you.

Kate Gilks

Read the original here

Dominic Pote To Exhibit At The Yard Gallery At Wollaton Hall

Dominic Pote To Exhibit At The Yard Gallery At Wollaton Hall

19th September – 7th October 2009
11am – 5pm FREE ENTRY

Dominic Pote has been working with a unique photographic process, making large-scale panoramic images for over ten years now. Working somewhere between the film maker and the still photographer, his exposures last for a long as he keeps moving. Framed by the physical act of walking his images are both literal and metaphorical journeys, movements through space so that there remains something of the organic feel of their making. This exhibition will be showcasing a selection of his landscape works taken from all over England that offer an interesting perspective on the relationship between the artist, the subject matter and time itself.

He has worked and exhibited all over the world, including a residency at Experian offices in Nottingham where he accompanied staff members on their journeys to work to take photographs based on their observations. His photographs include scenes at Attenborough, the Trent Embankment and Radcliffe on Trent.

He says: “I wanted to portray the notion of the "missed landscape", that which is experienced only on the peripherals of vision, as one is travelling.”

Cllr DaveTrimble, Nottingham City Council’s Portfolio holder for Leisure, Culture and Customers, said:

“Dominic’s work with Experian gives this exhibition a particular local relevance.”

Read the original here